Sisyphus’ Seventh Season: JAMPROOF in Milan and the slow logic of resistance

On September 25, in Milan, the stone was pushed uphill once again.

It was JAMPROOF’s seventh collection, and also our first.

Our first attempt to step into Europe. Our first conscious plunge into the eye of the storm.

From Tokyo Fashion Week in March to White Milano in September, we climbed the hill twice, each time from silence to signal. No one promised success, and no summit ever waits.

Born during the pandemic, JAMPROOF has always existed against the odds.

While the global fashion industry shrank and speculation collapsed, we kept working, thread by thread, season by season.

In China, we built a retail ecosystem from scratch. But this year, we tested something larger. Something harder to move.

 

A Silent Jury in Tokyo

March, Tokyo. Our first time outside China. A chance to align with another kind of Eastern sensibility.

Japanese buyers were quiet, composed. They came with notebooks, cameras, and few words. They observed like scientists at a controlled experiment.

Some art students stopped at our coats and said, “Very Yohji.”

Some senior buyers admired the exposed stitchwork inspired by Chinese bookbinding.

They gave no clear answers, but we knew we’d been seen.

Three months later, we closed a deal with a Shibuya department store. It was modest, but solid. A small set of classics on the rack.

A quiet summit.

Then the stone slipped again.

 

A System of Speed vs. the Pace of Making

Designer brands rarely fail because of creativity. They fail because they run out of breath.

This system demands speed: release, refresh, discount, and repeat.

Some platforms once promised a haven for independent brands, a place for Gen Z to hunt for niche pieces. But they, too, drowned in their own discount logic.

Creative time doesn’t obey seasons. But the market enforces the quarter.

“Do we need this many styles?” we often ask ourselves.

“Does the world really need this many clothes?”

We keep recalibrating, testing our balance on the scale. What makes a brand “mature”?

When does persistence become coherence?

Milan: The Start of Something Sisyphean

At White Milano, we brought our SS26 collection, the Chants of Sirens:

plant-dyed fabrics, organic materials, richly textured Italian textiles, a hybrid of Eastern aesthetic and Western tailoring. Even our hangtags were hand-sewn from Japanese washi.They hung quietly, waiting to be understood.

Buyers came. “Bellissimo ,” they said. They touched, photographed, took notes. There was excitement in the air.

But then came the silence.

They flipped the tags and paused. Our prices, shaped by small batch production and hand-finished techniques, made them hesitate.They asked about logistics, lead time, customs.What they really asked was: Can these pieces sell out within three months?

We explained: we don’t work by seasons. Our SS23 is still selling.They are not dead stocks, They are still finding its people.

They nodded. Then walked away.

The system no longer waits. Not for ideas. Not for clothes.

 

The Slow Logic of Value

October. Our inbox was filled with pitches, pop-up offers, showroom ads, more platforms selling the dream of scale.But very few real buyer responses. The same refrains: misaligned positioning, budget cuts, economic slowdown, and more time to be examined.

So the stone rolls back again. Sisyphus lowers his head, reaches out, and starts over.

This is not a loud rebellion. It’s a quiet insistence.

Designer brands live in constant tension:

Protecting creative integrity while surrendering to commercial timelines.

Resisting discount culture while navigating the demand for “affordability.”

Making slow, honest work while running fast enough not to disappear.

We don’t reject the logic of fashion. We’re simply choosing to speak with it differently.

We believe that patience, restraint, and mindful consumption aren’t outdated, they’re just under-articulated.

Spending less on more is wasteful.

Spending more on something made to last isn’t indulgence, it might just be clarity.

We are building toward that clarity, one collection at a time.

 

The Seventh, The First

This is our seventh season, and also, our first.

Not the first collection, but the first act of will. The first time we chose to climb again.

Sisyphus pushes the stone uphill, again.

It falls. Again.

The light is still at the summit.

And for a brief second, he looks up.

Consti Gao, co-founder of JAMPROOF, writing from Beijing.